He acknowledged the band's change of musical direction from A Thousand Suns and Living Things, and was inspired by the material to create artworks that were 'charged with intensity as well as their rationale for that change'. James Jean was invited by Shinoda and Delson to listen to the band's rough material created early on during the recording sessions for The Hunting Party. It's always a work in progress, but I feel like we've learned a lot and continue to make it better each time.' All the parts are interconnected, and by creating great imagery that can be used in multiple contexts, we can immerse the fans in a universe that is consistent and unique to each release. Shinoda explained: 'We try to approach our art-packaging, merchandise, tour visuals, videos, anything-in a holistic way. Delson also contributed ideas of 'internal and external struggles', metaphorically depicted on a battlefield, where images such as 'flesh tearing and transforming into different forms and brittle shards of crystal erupting from organic matter' would recur. Joe Hahn served as a creative director for the artwork of The Hunting Party, instructing Jean to 'create a universe inhabited by powerful characters and defined by strange landscapes', with a general concept of having a unique 'character' for each track on the album. Linkin Park had professed that they have been fans of James Jean's art for a while, describing discussions between the band and Jean as having 'started naturally'. And the same thing is happening now, where there’s all this stuff that feels like the soundtrack to 'Friends' or 'The Wizards of Waverly Place.'” Bands like the Refreshments and the Rembrandts, that music fucking angers me to this day. and it sounds like Disney commercial music.” This led to a response from CHVRCHES, with their lead singer Lauren Mayberry calling Shinoda's comment 'a pointless dig.' Bennington agreed with Shinoda's comments, as he said, 'The bands I was listening to when I was growing up were all doing really innovative shit-Jane’s Addiction, Alice in Chains, Nirvana. Shinoda criticized the modern state of alternative radio, stating 'There’s so much stuff that sounds like HAIM or CHVRCHES or Vampire Weekend that I’m full. He described the 'weak' status of modern rock in the music industry as an inspiration in recording a heavier rock album to try to bring the sound of the 1990s back to the forefront. Shinoda described the album's sound as a 1990s style of rock record: 'It's a Rock record 'it's loud and it's Rock, but not in the sense of what you've heard before, which is more like '90s hardcore-punk–thrash'.
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The album has been described as alternative metal, nu metal, hard rock, rap rock and rap metal by professional reviewers. And what makes a 37-year-old angry is different than what made us angry back in the day.' Composition Shinoda told Rolling Stone about the ideas surrounding The Hunting Party: 'We're not 18-year-old kids making a loud record – we're 37-year-old adults making a loud record. Guitarist Brad Delson jokingly stated that the album was an 'alternative Hybrid Theory' and 'maybe its prequel', with the album being inspired by artists the band listened to before they started their musical career. Using Hybrid Theory as a template, the band composed and recorded it in context of modern times, in 2014 rather than 2000.
I kind of went backwards into the process and scrapped all of it and started new stuff.' įollowing A Thousand Suns and Living Things, albums which were created with leaving behind a sound that was 'not new and not cool anymore' in mind, the band's sixth studio album was approached as a return to the band's early sound, with the electronic sounds of their previous two studio albums being dropped in favor of the band's traditional rock instrumentation. This is a mistake I don't like what I'm making. In a Warner Music interview, Shinoda stated that 'I don't even believe in this music. However, Shinoda, after listening to the demos again after the end of the tour, felt a strong negativity towards his material, especially after Rubin's statements. He presented the demos to his bandmates, which received positive reception from the rest of the band, and to Rubin, who was also positive towards the demos, though describing them to Shinoda as more 'poppy' than he expected. Shinoda had originally recorded and produced demos, which continued the sound of A Thousand Suns and Living Things, for the band's sixth studio album during the band's Living Things World Tour in 2013.
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Production on the band's sixth studio album began as a result of a series of events in which Shinoda decided to drop the electronic and experimental sound of the band's previous two studio albums.
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